{"id":1114,"date":"2020-04-01T13:40:40","date_gmt":"2020-04-01T13:40:40","guid":{"rendered":"http:\/\/www.nefelidimitriadi.com\/?page_id=1114"},"modified":"2026-09-16T16:39:55","modified_gmt":"2026-09-16T16:39:55","slug":"%ce%b4%ce%b7%ce%bc%ce%bf%cf%83%ce%b9%ce%b5%cf%85%cf%83%ce%b5%ce%b9%cf%83","status":"publish","type":"page","link":"https:\/\/www.nefelidimitriadi.com\/?page_id=1114&lang=el","title":{"rendered":"\u0394\u0397\u039c\u039f\u03a3\u0399\u0395\u03a5\u03a3\u0395\u0399\u03a3"},"content":{"rendered":"\n<ol class=\"wp-block-list\">\n<li>\u039d\u03b5\u03c6\u03ad\u03bb\u03b7 \u0394\u03b7\u03bc\u03b7\u03c4\u03c1\u03b9\u03ac\u03b4\u03b7, <strong>\u00ab\u0395\u03ba\u03c4\u03b5\u03c4\u03b1\u03bc\u03ad\u03bd\u03b7 \u03a0\u03c1\u03b1\u03b3\u03bc\u03b1\u03c4\u03b9\u03ba\u03cc\u03c4\u03b7\u03c4\u03b1 \u03ba\u03b1\u03b9 \u039a\u03b9\u03bd\u03b7\u03bc\u03b1\u03c4\u03bf\u03b3\u03c1\u03ac\u03c6\u03bf\u03c2\u00bb<\/strong>, \u039c\u03bf\u03bd\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b1 \u03c3\u03c4\u03bf \u03c0\u03bb\u03b1\u03af\u03c3\u03b9\u03bf \u03c4\u03bf\u03c5 \u03ad\u03c1\u03b3\u03bf\u03c5 \u0395\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03ac \u0391\u03ba\u03b1\u03b4\u03b7\u03bc\u03b1\u03ca\u03ba\u03ac \u0397\u03bb\u03b5\u03ba\u03c4\u03c1\u03bf\u03bd\u03b9\u03ba\u03ac \u03a3\u03c5\u03b3\u03b3\u03c1\u03ac\u03bc\u03bc\u03b1\u03c4\u03b1 \u03ba\u03b1\u03b9 \u0392\u03bf\u03b7\u03b8\u03ae\u03bc\u03b1\u03c4\u03b1, \u0394\u03c1\u03ac\u03c3\u03b7 \u039a\u03ac\u03bb\u03bb\u03b9\u03c0\u03bf\u03c2, \u0391\u03b8\u03ae\u03bd\u03b1, \u0395\u03bb\u03bb\u03ac\u03b4\u03b1, 2026 (\u03c5\u03c0\u03cc \u03ad\u03ba\u03b4\u03bf\u03c3\u03b7).<\/li>\n\n\n\n<li>\u039a\u03b5\u03c6\u03ac\u03bb\u03b1\u03b9\u03bf <strong>\u00ab\u0394\u03b9\u03b1\u03b4\u03c1\u03b1\u03c3\u03c4\u03b9\u03ba\u03ac \u03c3\u03b5\u03bd\u03ac\u03c1\u03b9\u03b1 \u03b9\u03b1\u03c4\u03c1\u03b9\u03ba\u03ae\u03c2 \u03b1\u03c0\u03bf\u03ba\u03b1\u03c4\u03ac\u03c3\u03c4\u03b1\u03c3\u03b7\u03c2 \u03c3\u03b5 \u03b5\u03b9\u03ba\u03bf\u03bd\u03b9\u03ba\u03ac \u03c0\u03b5\u03c1\u03b9\u03b2\u03ac\u03bb\u03bb\u03bf\u03bd\u03c4\u03b1\u00bb<\/strong> \u039d\u03b5\u03c6\u03ad\u03bb\u03b7 \u0394\u03b7\u03bc\u03b7\u03c4\u03c1\u03b9\u03ac\u03b4\u03b7, \u0392\u03b9\u03b2\u03bb\u03af\u03bf: \u03a0\u03c1\u03bf\u03b7\u03b3\u03bc\u03ad\u03bd\u03b7 \u03a4\u03b5\u03c7\u03bd\u03bf\u03bb\u03bf\u03b3\u03af\u03b1 \u03c3\u03c4\u03b7\u03bd \u0391\u03c0\u03bf\u03ba\u03b1\u03c4\u03ac\u03c3\u03c4\u03b1\u03c3\u03b7. \u0391\u03c0\u03cc \u03c4\u03b7\u03bd \u03ad\u03c1\u03b5\u03c5\u03bd\u03b1 \u03c3\u03c4\u03b7\u03bd \u03ba\u03bb\u03b9\u03bd\u03b9\u03ba\u03ae \u03c0\u03c1\u03ac\u03be\u03b7. \u0394\u03ae\u03bc\u03b7\u03c4\u03c1\u03b1 \u03a4\u03b6\u03bf\u03cd\u03bc\u03b7, \u03a3\u03b5\u03c1\u03b1\u03c6\u03b5\u03af\u03bc \u039d\u03b1\u03bd\u03ac\u03c2, \u0391 \u03ad\u03ba\u03b4\u03bf\u03c3\u03b7 \u0395\u039a\u03a0\u0391 \u0391\u0398\u03ae\u03bd\u03b1, 2026<\/li>\n\n\n\n<li>Nalmpantis, D., Beli, E., Tamiakis, I., Masi, G., Pirina, M.-G., Solinas, R., Kayhan, E., Erdem, E., Ayd\u0131n, E., Anoyrkati, E., &amp; Dimitriadi, N. <strong>\u201cPromoting safe, active mobility for children through community-based interventions in Greece, Italy, and T\u00fcrkiye: The WalkingBus project approach\u201d<\/strong>. E3S Web of Conferences, 669(1), 11002. <a href=\"https:\/\/doi.org\/10.1051\/e3sconf\/202566911002\">https:\/\/doi.org\/10.1051\/e3sconf\/202566911002<\/a>, 2025<\/li>\n\n\n\n<li>Defkalion Nikolaos Papadopoulos, Nefeli Maria Dimitriadi, <strong>Interactive Fiction Narrative Design in the Age of AI: Observations from&nbsp;Safari<\/strong>, 7th International Conference Digital Culture &amp; AudioVisual Challenges Interdisciplinary Creativity in Arts and Technology, DCAC, 2025<\/li>\n\n\n\n<li>Nalmpantis, D. Evangelia Beli, Iason Tamiakis, Giancarlo Masi, Maria Grazia Pirina, Roberto Solinas, Elif Kayhan, Esra Erdem, Ersel Ayd\u0131n, Eleni Anoyrkati &amp; Nefeli Dimitriadi. <strong>Walking vs. Riding: The Walking Bus Project Approach<\/strong>. In: Nathanail, E.G., Gavanas, N., Adamos, E. (eds) Climate Crisis and Resilient Transportation Systems. CSUM 2024. Lecture Notes in Intelligent Transportation and Infrastructure. Springer, Cham. <a href=\"https:\/\/doi.org\/10.1007\/978-3-031-82714-3_15\">https:\/\/doi.org\/10.1007\/978-3-031-82714-3_15<\/a>, 2025<\/li>\n\n\n\n<li>Nefeli Dimitriadi, \u00ab<strong>Brain-Computer Interfaces in Virtual Reality Cinema: the case of NEUROSYNAPSES VR brain-controlled interactive movie\u00bb<\/strong>, 5th International Conference Digital Culture &amp; AudioVisual Challenges Interdisciplinary Creativity in Arts and Technology, DCAC, 2023.<\/li>\n\n\n\n<li>Roussou, Despoti, Patsaki, Tzoumi, Leventakis, Dimitriadi, Papathanasiou, Alexandropoulou, Nanas, Karatzanos, <strong>\u00abSuitability, usability and safety of fully immersive Virtual Reality applications for motor and cognitive rehabilitation in stroke patients: preliminary data\u00bb <\/strong>\u2014 Health &amp; Research Journal, \u03c4\u03cc\u03bc\u03bf\u03c2 10, \u03c4\u03b5\u03cd\u03c7\u03bf\u03c2 3, \u03c3. 193-205, 4\/7\/2024<\/li>\n\n\n\n<li>Nefeli Dimitriadi, Natalie Tereza Tsazez, <strong>\u00abDirecting for Immersive Cinema: the case of NEUROSYNAPSES movie virtual production workflow and the actor\u2019s perspective\u00bb<\/strong>, 5th International Conference Digital Culture &amp; AudioVisual Challenges Interdisciplinary Creativity in Arts and Technology, DCAC, 2023.<\/li>\n\n\n\n<li>Nefeli Dimitriadi, \u00ab<strong>Extended Reality Cinema Production: innovative workflows and mixed techniques for multiple VR\/AR\/MR media outputs and platforms\u00bb<\/strong>, Art and Design of Extended Reality Symposium co-organized by Onassis STEGI Foundation, National Kapodistrian University of Athens and Erasmus XR partner Universities, 2022.<\/li>\n\n\n\n<li>Argyro Papathanasiou, Natali-Teresa Chavez, Paraskevi Bokovou, Christina Chrysanthopoulou, Aikaterini-Dimitra Gerothanasi, Nefeli-Maria Dimitriadi, <strong>\u00abArtificial Intelligence, Augmented Reality, Location-based narratives and user participation as means for creating engaging Extended Reality experiences\u00bb<\/strong>,&nbsp; 4th International Conference Digital Culture &amp; AudioVisual Challenges Interdisciplinary Creativity in Arts and Technology, Conference Proecedings, 2022.<\/li>\n\n\n\n<li>\u0391. \u0394\u03b5\u03c3\u03c0\u03cc\u03c4\u03b7, \u0395. \u039a\u03b1\u03c1\u03b1\u03c4\u03b6\u03ac\u03bd\u03bf\u03c2, \u0395. \u03a0\u03b1\u03c4\u03c3\u03ac\u03ba\u03b7, \u0394. \u03a4\u03b6\u03bf\u03cd\u03bc\u03b7, \u0393. \u03a1\u03bf\u03cd\u03c3\u03c3\u03bf\u03c5, \u039d. \u039b\u03b5\u03b2\u03b5\u03bd\u03c4\u03ac\u03ba\u03b7\u03c2, \u0391. \u03a0\u03b1\u03c0\u03b1\u03b8\u03b1\u03bd\u03b1\u03c3\u03af\u03bf\u03c5, \u039d. \u0394\u03b7\u03bc\u03b7\u03c4\u03c1\u03b9\u03ac\u03b4\u03b7, \u03a3. \u039d\u03b1\u03bd\u03ac\u03c2, <strong>\u0395\u0399\u039a\u039f\u039d\u0399\u039a\u0397 \u03a0\u03a1\u0391\u0393\u039c\u0391\u03a4\u0399\u039a\u039f\u03a4\u0397\u03a4\u0391 \u03a3\u03a4\u0397 \u039d\u039f\u0397\u03a4\u0399\u039a\u0397 \u0391\u03a0\u039f\u039a\u0391\u03a4\u03a3\u03a4\u0391\u03a3\u0397: \u039c\u0399\u0391 \u03a3\u03a5\u03a3\u03a4\u0397\u039c\u0391\u03a4\u0399\u039a\u0397 \u0391\u039d\u0391\u03a3\u039a\u039f\u03a0\u0397\u03a3\u0397<\/strong>, 143 \u03c3\u03c4\u03bf\u03bd \u03a4\u03cc\u03bc\u03bf \u03a0\u03b5\u03c1\u03b9\u03bb\u03ae\u03c8\u03b5\u03c9\u03bd, 48\u03bf \u0395\u03c4\u03ae\u03c3\u03b9\u03bf \u03a0\u03b1\u03bd\u03b5\u03bb\u03bb\u03ae\u03bd\u03b9\u03bf \u0399\u03b1\u03c4\u03c1\u03b9\u03ba\u03cc \u03a3\u03c5\u03bd\u03ad\u03b4\u03c1\u03b9\u03bf, 2022<\/li>\n\n\n\n<li>\u0395. \u03a0\u03b1\u03c4\u03c3\u03ac\u03ba\u03b7, \u0393. \u03a1\u03bf\u03cd\u03c3\u03c3\u03bf\u03c5, \u0391. , \u0394\u03b5\u03c3\u03c0\u03cc\u03c4\u03b7, \u0391. \u03a0\u03b1\u03c0\u03b1\u03b8\u03b1\u03bd\u03b1\u03c3\u03af\u03bf\u03c5, \u0394. \u03a4\u03b6\u03bf\u03cd\u03bc\u03b7, \u0391. \u0391\u03bb\u03b5\u03be\u03b1\u03bd\u03b4\u03c1\u03bf\u03c0\u03bf\u03cd\u03bb\u03bf\u03c5, \u039d. \u039b\u03b5\u03b2\u03b5\u03bd\u03c4\u03ac\u03ba\u03b7\u03c2, \u0395. \u0393\u03b9\u03b1\u03b3\u03ba\u03bb\u03af\u03c3\u03b7\u03c2, \u039d. \u0394\u03b7\u03bc\u03b7\u03c4\u03c1\u03b9\u03ac\u03b4\u03b7, \u0395. \u039a\u03b1\u03c1\u03b1\u03c4\u03b6\u03ac\u03bd\u03bf\u03c2, \u03a3. \u039d\u03b1\u03bd\u03ac\u03c2, <strong>\u0397 \u0395\u03a5\u03a7\u03a1\u0397\u03a3\u03a4\u0399\u0391 \u03a0\u03a1\u039f\u0393\u03a1\u0391\u039c\u039c\u0391\u03a4\u039f\u03a3 \u0395\u0399\u039a\u039f\u039d\u0399\u039a\u0397\u03a3 \u03a0\u03a1\u0391\u0393\u039c\u0391\u03a4\u0399\u039a\u039f\u03a4\u0397\u03a4\u0391\u03a3 \u03a0\u039b\u0397\u03a1\u039f\u03a5\u03a3 \u0395\u039c\u0392\u03a5\u0398\u0399\u03a3\u0397\u03a3 \u03a3\u0395 \u0391\u03a3\u0398\u0395\u039d\u0395\u0399\u03a3 \u039c\u0395 \u0391\u0395\u0395. \u03a0\u0399\u039b\u039f\u03a4\u0399\u039a\u0397 \u039c\u0395\u039b\u0395\u03a4\u0397<\/strong>, 145 \u03c3\u03c4\u03bf\u03bd \u03a4\u03cc\u03bc\u03bf \u03a0\u03b5\u03c1\u03b9\u03bb\u03ae\u03c8\u03b5\u03c9\u03bd, 48\u03bf \u0395\u03c4\u03ae\u03c3\u03b9\u03bf \u03a0\u03b1\u03bd\u03b5\u03bb\u03bb\u03ae\u03bd\u03b9\u03bf \u0399\u03b1\u03c4\u03c1\u03b9\u03ba\u03cc \u03a3\u03c5\u03bd\u03ad\u03b4\u03c1\u03b9\u03bf, 2022<\/li>\n\n\n\n<li>A. Despoti, I. Patsaki G. Roussou, A. Papathanasiou, D. Tzoumi, A. Alexandropoulou1, N. Leventakis, E. Giaglisis, N. Dimitriadi, L. Karatzanos, S. Nanas, <strong>The feasibility and safety of a fully immersive virtual reality rehabilitation program in stroke patients: Preliminary data,<\/strong> INS 2022<\/li>\n\n\n\n<li>I. Patsaki, A. Despoti, G. Roussou, L. Karatzanos, D. Tzoumi, A. Papathanasiou, A. Alexandropoulou, N. Leventakis, E. Giaglisis, N. Dimitriadi, S. Nanas, <strong>\u00abCognitive and Physical Rehabilitation using a fully immersive Virtual Reality program: design, safety and usability.\u00bb<\/strong>, REHABILITATION week, Roterdam, 2022<\/li>\n\n\n\n<li>N. Dimitriadi, \u00ab<strong>VIRTUAL REALITY IN REHABILITATION\u00bb<\/strong>, In: Post-Intensive Care Syndrome: Prevention and Management. Athens, \u03a4\u03bc\u03ae\u03bc\u03b1 \u0399\u03b1\u03c4\u03c1\u03b9\u03ba\u03ae\u03c2 \u03c4\u03bf\u03c5 \u0395\u03ba\u03b8\u03bd\u03b9\u03ba\u03bf\u03cd \u039a\u03b1\u03c0\u03bf\u03b4\u03b9\u03c3\u03c4\u03c1\u03b9\u03b1\u03ba\u03bf\u03cd \u03a0\u03b1\u03bd\u03b5\u03c0\u03b9\u03c3\u03c4\u03b7\u03bc\u03af\u03bf\u03c5 \u0391\u03b8\u03ae\u03bd\u03b1\u03c2, 2022. \u03c3. 37\u201352., 2022<\/li>\n\n\n\n<li>Irini Patsaki, Nefeli Dimitriadi, Akylina Despoti, Dimitra Tzoumi, Nikolaos Leventakis, Georgia Roussou, Argiroula Papathanasiou, Serafeim. Nanas, Eleftherios Karatzanos, \u00ab<strong>The effectiveness of Immersive Virtual Reality in physical recovery of Stroke patients: a Systematic Review.\u00bb<\/strong> Frontiers in Systems Neuroscience, Journal, 2022<\/li>\n\n\n\n<li>Despoti, A., Karatzanos, E., Patsaki, I., Tzoumi, D., Roussou, G., Leventakis, N., Papathanasiou, A., Nanas, S., &amp; Dimitriadi, <strong>\u00abImmersive Virtual Reality in Cognitive Rehabilitation: A systematic Review\u00bb.<\/strong> N. Health &amp; Research Journal, 8(3), 225\u2013241, 2022 <a href=\"https:\/\/doi.org\/10.12681\/healthresj.28872(https:\/ejournals.epublishing.ekt.gr\/index.php\/HealthResJ\">https:\/\/doi.org\/10.12681\/healthresj.28872(https:\/\/ejournals.epublishing.ekt.gr\/index.php\/HealthResJ<\/a>)<\/li>\n\n\n\n<li>A. Despoti, L. Karatzanos, D. Tzoumi, , I. Patsaki, N. Leventakis, A. Papathanasiou, G. Roussou, S. Nanas, N. Dimitriadi, <strong>\u00abImmersive Virtual Reality in Cognitive Rehabilitation: A systematic Review\u00bb<\/strong> Poster session presented at International Neuropsychology Society Annual Meeting, San Diego, US, INS 2021<\/li>\n\n\n\n<li>I. Patsaki, N. Dimitriadi, D. Tzoumi, A. Despoti, N. Leventakis, G. Roussou, A. Papathanasiou, S. Nanas, L. Karatzanos, \u00ab<strong>Promoting Physical Recovery in Neurological Diseases through Immersive Virtual Reality: A Systematic Review\u00bb<\/strong> &nbsp;Poster session presented at World Physiotherapy Congress Annual Meeting, WCPT 2021<\/li>\n\n\n\n<li>Nefeli Dimitriadi, <strong>\u201cExploring multi-user interaction in @postasis platform: \u201cLudic\u201d virtual choreography project\u201d<\/strong>, in DIGITAL CIVILIZATION, WHERE TREES MOVE, 4th Multiplier event of @POSTASIS, Virtual Artistic Laboratory, ed. Celestino Soddu, Domus Argenia Publisher &#8211; ISBN 9788896610381, 2019, Rome.<\/li>\n\n\n\n<li>\u039d\u03b5\u03c6\u03ad\u03bb\u03b7 \u0394\u03b7\u03bc\u03b7\u03c4\u03c1\u03b9\u03ac\u03b4\u03b7, <strong>\u00abTo Dada \u03c3\u03c4\u03bf\u03bd \u039a\u03b9\u03bd\u03b7\u03bc\u03b1\u03c4\u03bf\u03b3\u03c1\u03ac\u03c6\u03bf\u00bb<\/strong>, \u03a0\u03bf\u03b9\u03b7\u03c4\u03b9\u03ba\u03ae &#8211; \u03a4\u03b5\u03cd\u03c7\u03bf\u03c2 24, \u0395\u03ba\u03b4\u03cc\u03c3\u03b5\u03b9\u03c2 \u03a0\u03b1\u03c4\u03ac\u03ba\u03b7, \u03a6\u03b8\u03b9\u03bd\u03cc\u03c0\u03c9\u03c1\u03bf-\u03a7\u03b5\u03b9\u03bc\u03ce\u03bd\u03b1\u03c2 2019, \u0391\u03b8\u03ae\u03bd\u03b1.<\/li>\n\n\n\n<li>\u039d\u03b5\u03c6\u03ad\u03bb\u03b7 \u0394\u03b7\u03bc\u03b7\u03c4\u03c1\u03b9\u03ac\u03b4\u03b7, &nbsp;<strong>\u00abLudic Virtual Choreography &#8211; \u03bc\u03b9\u03b1 \u03c0\u03b1\u03b9\u03b3\u03bd\u03b9\u03ce\u03b4\u03b7\u03c2 \u03b5\u03b9\u03ba\u03bf\u03bd\u03b9\u03ba\u03ae \u03c7\u03bf\u03c1\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b1: \u03b7 \u03c0\u03bf\u03bb\u03c5\u03c7\u03c1\u03b7\u03c3\u03c4\u03b9\u03ba\u03ae \u03b4\u03b9\u03ac\u03b4\u03c1\u03b1\u03c3\u03b7 \u03c3\u03c4\u03bf\u03bd \u03ba\u03b1\u03bb\u03bb\u03b9\u03c4\u03b5\u03c7\u03bd\u03b9\u03ba\u03cc \u03c0\u03b5\u03b9\u03c1\u03b1\u03bc\u03b1\u03c4\u03b9\u03c3\u03bc\u03cc\u00bb<\/strong>, \u03b7\u03bc\u03b5\u03c1\u03af\u03b4\u03b1 \u03a0\u03c1\u03ce\u03c4\u03b7\u03c2 \u03a0\u03bf\u03bb\u03bb\u03b1\u03c0\u03bb\u03b1\u03c3\u03b9\u03b1\u03c3\u03c4\u03b9\u03ba\u03ae\u03c2 \u0394\u03c1\u03ac\u03c3\u03b7\u03c2 (\u039cultiplier Event) \u03c4\u03bf\u03c5 \u03ad\u03c1\u03b3\u03bf\u03c5 @postasis (\u03bd\u03ad\u03b5\u03c2 \u03c4\u03b5\u03c7\u03bd\u03bf\u03bb\u03bf\u03b3\u03af\u03b5\u03c2 \u03c3\u03c4\u03b7\u03bd \u03b5\u03ba\u03c0\u03b1\u03af\u03b4\u03b5\u03c5\u03c3\u03b7 \u03ba\u03b1\u03b9 \u03c3\u03c4\u03b7\u03bd \u03ba\u03b1\u03bb\u03bb\u03b9\u03c4\u03b5\u03c7\u03bd\u03b9\u03ba\u03ae \u03b4\u03b7\u03bc\u03b9\u03bf\u03c5\u03c1\u03b3\u03af\u03b1), \u0391.\u03a3.\u039a.\u03a4., \u0391\u03bc\u03c6\u03b9\u03b8\u03ad\u03b1\u03c4\u03c1\u03bf \u03c4\u03b7\u03c2 \u0392\u03b9\u03b2\u03bb\u03b9\u03bf\u03b8\u03ae\u03ba\u03b7\u03c2 \u03c4\u03b7\u03c2 \u0391\u03bd\u03ce\u03c4\u03b1\u03c4\u03b7\u03c2 \u03a3\u03c7\u03bf\u03bb\u03ae\u03c2 \u039a\u03b1\u03bb\u03ce\u03bd \u03a4\u03b5\u03c7\u03bd\u03ce\u03bd, \u03a0\u03b5\u03b9\u03c1\u03b1\u03b9\u03ce\u03c2 25, 18\/01\/2019, \u0391\u03b8\u03ae\u03bd\u03b1.<\/li>\n\n\n\n<li>A. Despoti, L. Karatzanos, D. Tzoumi, N. Leventakis, N. Dimitriadi, S. Nanas, <strong>\u00abCognitive rehabilitation using virtual reality: a systematic review\u00bb<\/strong>, International Neuropsychological Society 2019 Annual Meeting, Marriott Marquis, 20\/02\/2019, New York City.<\/li>\n\n\n\n<li>\u0391. \u0394\u03b5\u03c3\u03c0\u03cc\u03c4\u03b7, \u039b. \u039a\u03b1\u03c1\u03b1\u03c4\u03b6\u03ac\u03bd\u03bf\u03c2, \u0394. \u03a4\u03b6\u03bf\u03cd\u03bc\u03b7, \u039d. \u039b\u03b5\u03b2\u03b5\u03bd\u03c4\u03ac\u03ba\u03b7\u03c2, \u039d. \u0394\u03b7\u03bc\u03b7\u03c4\u03c1\u03b9\u03ac\u03b4\u03b7, \u03a3. \u039d\u03b1\u03bd\u03ac\u03c2, <strong>\u00ab\u039d\u03bf\u03b7\u03c4\u03b9\u03ba\u03ae \u03b1\u03c0\u03bf\u03ba\u03b1\u03c4\u03ac\u03c3\u03c4\u03b1\u03c3\u03b7 \u03bc\u03b5 \u03c4\u03b7 \u03c7\u03c1\u03ae\u03c3\u03b7 \u03b5\u03b9\u03ba\u03bf\u03bd\u03b9\u03ba\u03ae\u03c2 \u03c0\u03c1\u03b1\u03b3\u03bc\u03b1\u03c4\u03b9\u03ba\u03cc\u03c4\u03b7\u03c4\u03b1\u03c2: \u03bc\u03b9\u03b1 \u03c3\u03c5\u03c3\u03c4\u03b7\u03bc\u03b1\u03c4\u03b9\u03ba\u03ae \u03b1\u03bd\u03b1\u03c3\u03ba\u03cc\u03c0\u03b7\u03c3\u03b7\u00bb<\/strong>, 17\u03bf \u03a0\u03b1\u03bd\u03b5\u03bb\u03bb\u03ae\u03bd\u03b9\u03bf \u03a3\u03c5\u03bd\u03ad\u03b4\u03c1\u03b9\u03bf \u0395\u03bd\u03c4\u03b1\u03c4\u03b9\u03ba\u03ae\u03c2 \u0398\u03b5\u03c1\u03b1\u03c0\u03b5\u03af\u03b1\u03c2, \u0395\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03ae \u0395\u03c4\u03b1\u03b9\u03c1\u03b5\u03af\u03b1 \u0395\u03bd\u03c4\u03b1\u03c4\u03b9\u03ba\u03ae\u03c2 \u0398\u03b5\u03c1\u03b1\u03c0\u03b5\u03af\u03b1\u03c2, Royal Olympic, 17\/11\/2018, \u0391\u03b8\u03ae\u03bd\u03b1.<\/li>\n\n\n\n<li>\u039d\u03b5\u03c6\u03ad\u03bb\u03b7 \u0394\u03b7\u03bc\u03b7\u03c4\u03c1\u03b9\u03ac\u03b4\u03b7, &nbsp;<strong>\u00ab\u039a\u03b9\u03bd\u03b7\u03bc\u03b1\u03c4\u03bf\u03b3\u03c1\u03b1\u03c6\u03b9\u03ba\u03ad\u03c2 \u0395\u03c6\u03b1\u03c1\u03bc\u03bf\u03b3\u03ad\u03c2 \u0395\u03b9\u03ba\u03bf\u03bd\u03b9\u03ba\u03ae\u03c2 \u03a0\u03c1\u03b1\u03b3\u03bc\u03b1\u03c4\u03b9\u03ba\u03cc\u03c4\u03b7\u03c4\u03b1\u03c2: \u0394\u03b9\u03b1\u03b4\u03c1\u03b1\u03c3\u03c4\u03b9\u03ba\u03ae \u0391\u03c6\u03ae\u03b3\u03b7\u03c3\u03b7, \u00ab\u03a0\u03b1\u03b9\u03b3\u03bd\u03b9\u03bf\u03c0\u03bf\u03af\u03b7\u03c3\u03b7\u00bb \u03ba\u03b1\u03b9 \u0395\u03b9\u03ba\u03bf\u03bd\u03b9\u03ba\u03ac \u03a0\u03b5\u03c1\u03b9\u03b2\u03ac\u03bb\u03bb\u03bf\u03bd\u03c4\u03b1 \u0395\u03bc\u03b2\u03cd\u03b8\u03b9\u03c3\u03b7\u03c2\u00bb<\/strong>, \u0394\u03b9\u03b7\u03bc\u03b5\u03c1\u03af\u03b4\u03b1 \u0395\u03b9\u03ba\u03bf\u03bd\u03b9\u03ba\u03ae \u03a0\u03c1\u03b1\u03b3\u03bc\u03b1\u03c4\u03b9\u03ba\u03cc\u03c4\u03b7\u03c4\u03b1 \u2013 \u0388\u03c1\u03b5\u03c5\u03bd\u03b1 \u03ba\u03b1\u03b9 \u03b5\u03c6\u03b1\u03c1\u03bc\u03bf\u03b3\u03ad\u03c2 \u03c3\u03c4\u03b7\u03bd \u0395\u03bb\u03bb\u03ac\u03b4\u03b1 \u03c3\u03ae\u03bc\u03b5\u03c1\u03b1, \u0395\u03b8\u03bd\u03b9\u03ba\u03cc \u03ba\u03b1\u03b9 \u039a\u03b1\u03c0\u03bf\u03b4\u03b9\u03c3\u03c4\u03c1\u03b9\u03b1\u03ba\u03cc \u03a0\u03b1\u03bd\u03b5\u03c0\u03b9\u03c3\u03c4\u03ae\u03bc\u03b9\u03bf \u0391\u03b8\u03b7\u03bd\u03ce\u03bd, \u03a3\u03a4\u0395\u0393\u0397 \u0399\u03b4\u03c1\u03cd\u03bc\u03b1\u03c4\u03bf\u03c2 \u03a9\u03bd\u03ac\u03c3\u03b7, 24\/11\/2018, \u0391\u0398\u03ae\u03bd\u03b1.<\/li>\n\n\n\n<li>\u039d\u03b5\u03c6\u03ad\u03bb\u03b7 \u0394\u03b7\u03bc\u03b7\u03c4\u03c1\u03b9\u03ac\u03b4\u03b7, <strong>\u00ab\u0391\u03be\u03b9\u03bf\u03c0\u03bf\u03af\u03b7\u03c3\u03b7 \u03ba\u03b1\u03b9\u03bd\u03bf\u03c4\u03cc\u03bc\u03c9\u03bd \u03c4\u03b5\u03c7\u03bd\u03bf\u03bb\u03bf\u03b3\u03b9\u03ce\u03bd \u03b5\u03b9\u03ba\u03bf\u03bd\u03b9\u03ba\u03ae\u03c2 \u03ba\u03b1\u03b9 \u03b5\u03c0\u03b1\u03c5\u03be\u03b7\u03bc\u03ad\u03bd\u03b7\u03c2 \u03c0\u03c1\u03b1\u03b3\u03bc\u03b1\u03c4\u03b9\u03ba\u03cc\u03c4\u03b7\u03c4\u03b1\u03c2 \u03c3\u03c4\u03b7\u03bd \u03c0\u03c1\u03bf\u03b2\u03bf\u03bb\u03ae \u03c4\u03b7\u03c2 \u03c0\u03bf\u03bb\u03b9\u03c4\u03b9\u03c3\u03c4\u03b9\u03ba\u03ae\u03c2 \u03ba\u03bb\u03b7\u03c1\u03bf\u03bd\u03bf\u03bc\u03b9\u03ac\u03c2: \u03c5\u03c6\u03b9\u03c3\u03c4\u03ac\u03bc\u03b5\u03bd\u03b5\u03c2 \u03c0\u03c1\u03b1\u03ba\u03c4\u03b9\u03ba\u03ad\u03c2 \u03ba\u03b1\u03b9 \u03c0\u03c1\u03bf\u03bf\u03c0\u03c4\u03b9\u03ba\u03ad\u03c2\u00bb<\/strong>,&nbsp; \u0394\u0399\u0397\u039c\u0395\u03a1\u039f \u0395\u03a0\u0399\u03a3\u03a4\u0397\u039c\u039f\u039d\u0399\u039a\u039f FORUM \u00ab\u039d\u03ad\u03b5\u03c2 \u03a4\u03b5\u03c7\u03bd\u03bf\u03bb\u03bf\u03b3\u03af\u03b5\u03c2 \u03c3\u03c4\u03b7\u03bd \u03b1\u03bd\u03ac\u03b4\u03b5\u03b9\u03be\u03b7 \u03c4\u03b7\u03c2 \u03a0\u03bf\u03bb\u03b9\u03c4\u03b9\u03c3\u03bc\u03b9\u03ba\u03ae\u03c2 \u039a\u03bb\u03b7\u03c1\u03bf\u03bd\u03bf\u03bc\u03b9\u03ac\u03c2\u00bb, \u03a0\u03b1\u03bd\u03b5\u03c0\u03b9\u03c3\u03c4\u03ae\u03bc\u03b9\u03bf \u0394\u03c5\u03c4\u03b9\u03ba\u03ae\u03c2 \u0391\u03c4\u03c4\u03b9\u03ba\u03ae\u03c2, 29-9-2018, \u0391\u03b8\u03ae\u03bd\u03b1.<\/li>\n\n\n\n<li>\u039d\u03b5\u03c6\u03ad\u03bb\u03b7 \u0394\u03b7\u03bc\u03b7\u03c4\u03c1\u03b9\u03ac\u03b4\u03b7, <strong>\u00ab\u03a4\u03bf \u03c6\u03c9\u03c2 \u03c3\u03c4\u03b7\u03bd \u03c8\u03b7\u03c6\u03b9\u03b1\u03ba\u03ae \u03c4\u03ad\u03c7\u03bd\u03b7: \u03b4\u03b9\u03b1\u03b4\u03c1\u03b1\u03c3\u03c4\u03b9\u03ba\u03ad\u03c2 \u03b5\u03b3\u03ba\u03b1\u03c4\u03b1\u03c3\u03c4\u03ac\u03c3\u03b5\u03b9\u03c2 \u03ba\u03b1\u03b9 \u03c0\u03b5\u03c1\u03b9\u03b2\u03ac\u03bb\u03bb\u03bf\u03bd\u03c4\u03b1 \u03b5\u03b9\u03ba\u03bf\u03bd\u03b9\u03ba\u03ae\u03c2 \u03c0\u03c1\u03b1\u03b3\u03bc\u03b1\u03c4\u03b9\u03ba\u03cc\u03c4\u03b7\u03c4\u03b1\u03c2\u00bb<\/strong>,&nbsp;\u03c0\u03c1\u03bf\u03c3\u03ba\u03b5\u03ba\u03bb\u03b7\u03bc\u03ad\u03bd\u03b7 \u03bf\u03bc\u03b9\u03bb\u03ae\u03c4\u03c1\u03b9\u03b1 \u03c3\u03c4\u03bf \u03c0\u03bb\u03b1\u03af\u03c3\u03b9\u03bf \u03c4\u03c9\u03bd \u03b5\u03ba\u03b4\u03b7\u03bb\u03ce\u03c3\u03b5\u03c9\u03bd \u03c4\u03bf\u03c5 \u039c\u03a0\u03a3 \u03a3\u03c7\u03b5\u03b4\u03b9\u03b1\u03c3\u03bc\u03cc\u03c2 \u03a6\u03c9\u03c4\u03b9\u03c3\u03bc\u03bf\u03cd \u03c4\u03bf\u03c5 \u0395\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03bf\u03cd \u0391\u03bd\u03bf\u03b9\u03ba\u03c4\u03bf\u03cd \u03a0\u03b1\u03bd\u03b5\u03c0\u03b9\u03c3\u03c4\u03b7\u03bc\u03af\u03bf\u03c5 \u03b3\u03b9\u03b1 \u03c4\u03b7\u03bd \u0394\u03b9\u03b5\u03b8\u03bd\u03ae \u0397\u03bc\u03ad\u03c1\u03b1 \u03a6\u03c9\u03c4\u03cc\u03c2,&nbsp;16 \u039c\u03b1\u03ca\u03bf\u03c5 2018, \u039a\u03a4\u0399\u03a1\u0399\u039f \u0395\u0391\u03a0, \u0391\u03b8\u03ae\u03bd\u03b1.<\/li>\n\n\n\n<li>\u039d\u03b5\u03c6\u03ad\u03bb\u03b7 \u0394\u03b7\u03bc\u03b7\u03c4\u03c1\u03b9\u03ac\u03b4\u03b7, <strong>\u00ab\u0391\u03be\u03b9\u03bf\u03c0\u03bf\u03af\u03b7\u03c3\u03b7 \u03c4\u03b5\u03c7\u03bd\u03bf\u03bb\u03bf\u03b3\u03b9\u03ce\u03bd \u03b5\u03b9\u03ba\u03bf\u03bd\u03b9\u03ba\u03ae\u03c2 \u03c0\u03c1\u03b1\u03b3\u03bc\u03b1\u03c4\u03b9\u03ba\u03cc\u03c4\u03b7\u03c4\u03b1\u03c2 \u03ba\u03b1\u03b9 \u03b1\u03bd\u03ac\u03c0\u03c4\u03c5\u03be\u03b7 \u03c3\u03b5\u03bd\u03b1\u03c1\u03af\u03c9\u03bd \u03c0\u03b1\u03b9\u03b3\u03bd\u03b9\u03bf\u03c0\u03bf\u03af\u03b7\u03c3\u03b7\u03c2 \u03c3\u03c4\u03b7\u03bd \u03b9\u03b1\u03c4\u03c1\u03b9\u03ba\u03ae \u03b1\u03c0\u03bf\u03ba\u03b1\u03c4\u03ac\u03c3\u03c4\u03b1\u03c3\u03b7\u00bb<\/strong>, \u03c0\u03c1\u03bf\u03c3\u03ba\u03b5\u03ba\u03bb\u03b7\u03bc\u03ad\u03bd\u03b7 \u03bf\u03bc\u03b9\u03bb\u03ae\u03c4\u03c1\u03b9\u03b1 \u03c3\u03c4\u03b7\u03bd 6\u03b7 \u0394\u03b9\u03b5\u03c0\u03b9\u03c3\u03c4\u03b7\u03bc\u03bf\u03bd\u03b9\u03ba\u03ae \u0395\u03ba\u03c0\u03b1\u03b9\u03b4\u03b5\u03c5\u03c4\u03b9\u03ba\u03ae \u0397\u03bc\u03b5\u03c1\u03af\u03b4\u03b1 \u03c4\u03bf\u03c5 \u03a0\u03c1\u03bf\u03b3\u03c1\u03ac\u03bc\u03bc\u03b1\u03c4\u03bf\u03c2 \u039c\u03b5\u03c4\u03b1\u03c0\u03c4\u03c5\u03c7\u03b9\u03b1\u03ba\u03ce\u03bd \u03a3\u03c0\u03bf\u03c5\u03b4\u03ce\u03bd \u03c4\u03b7\u03c2 \u0399\u03b1\u03c4\u03c1\u03b9\u03ba\u03ae\u03c2 \u03a3\u03c7\u03bf\u03bb\u03ae\u03c2 \u03c4\u03bf\u03c5 \u0395\u03b8\u03bd\u03b9\u03ba\u03bf\u03cd \u039a\u03b1\u03c0\u03bf\u03b4\u03b9\u03c3\u03c4\u03c1\u03b9\u03b1\u03ba\u03bf\u03cd \u03a0\u03b1\u03bd\u03b5\u03c0\u03b9\u03c3\u03c4\u03b7\u03bc\u03af\u03bf\u03c5 \u0391\u03b8\u03b7\u03bd\u03ce\u03bd, 06\/06\/2018, \u0391\u03b8\u03ae\u03bd\u03b1.<\/li>\n\n\n\n<li>\u039d\u03b5\u03c6\u03ad\u03bb\u03b7 \u0394\u03b7\u03bc\u03b7\u03c4\u03c1\u03b9\u03ac\u03b4\u03b7, <strong>\u00ab\u0397 \u03c3\u03c5\u03bc\u03b2\u03bf\u03bb\u03ae \u03ba\u03b1\u03b9\u03bd\u03bf\u03c4\u03cc\u03bc\u03c9\u03bd \u03c4\u03b5\u03c7\u03bd\u03bf\u03bb\u03bf\u03b3\u03b9\u03ce\u03bd \u0395\u03b9\u03ba\u03bf\u03bd\u03b9\u03ba\u03ae\u03c2 \u03a0\u03c1\u03b1\u03b3\u03bc\u03b1\u03c4\u03b9\u03ba\u03cc\u03c4\u03b7\u03c4\u03b1\u03c2 \u03c3\u03c4\u03b7\u03bd \u0399\u03b1\u03c4\u03c1\u03b9\u03ba\u03ae\u00bb<\/strong>, \u03c0\u03c1\u03bf\u03c3\u03ba\u03b5\u03ba\u03bb\u03b7\u03bc\u03ad\u03bd\u03b7 \u03bf\u03bc\u03b9\u03bb\u03ae\u03c4\u03c1\u03b9\u03b1 \u03c3\u03c4\u03b7\u03bd 5\u03b7 \u0394\u03b9\u03b5\u03c0\u03b9\u03c3\u03c4\u03b7\u03bc\u03bf\u03bd\u03b9\u03ba\u03ae \u0395\u03ba\u03c0\u03b1\u03b9\u03b4\u03b5\u03c5\u03c4\u03b9\u03ba\u03ae \u0397\u03bc\u03b5\u03c1\u03af\u03b4\u03b1 \u03c4\u03bf\u03c5 \u03a0\u03c1\u03bf\u03b3\u03c1\u03ac\u03bc\u03bc\u03b1\u03c4\u03bf\u03c2 \u039c\u03b5\u03c4\u03b1\u03c0\u03c4\u03c5\u03c7\u03b9\u03b1\u03ba\u03ce\u03bd \u03a3\u03c0\u03bf\u03c5\u03b4\u03ce\u03bd \u03c4\u03b7\u03c2 \u0399\u03b1\u03c4\u03c1\u03b9\u03ba\u03ae\u03c2 \u03a3\u03c7\u03bf\u03bb\u03ae\u03c2 \u03c4\u03bf\u03c5 \u0395\u03b8\u03bd\u03b9\u03ba\u03bf\u03cd \u039a\u03b1\u03c0\u03bf\u03b4\u03b9\u03c3\u03c4\u03c1\u03b9\u03b1\u03ba\u03bf\u03cd \u03a0\u03b1\u03bd\u03b5\u03c0\u03b9\u03c3\u03c4\u03b7\u03bc\u03af\u03bf\u03c5 \u0391\u03b8\u03b7\u03bd\u03ce\u03bd, 10\/06\/2017, \u0391\u03b8\u03ae\u03bd\u03b1.<\/li>\n\n\n\n<li>\u039d\u03b5\u03c6\u03ad\u03bb\u03b7 \u0394\u03b7\u03bc\u03b7\u03c4\u03c1\u03b9\u03ac\u03b4\u03b7, \u039a\u03b5\u03c6\u03ac\u03bb\u03b1\u03b9\u03bf: <strong>\u00ab\u0392\u03af\u03bd\u03c4\u03b5\u03bf-\u03c4\u03ad\u03c7\u03bd\u03b7: \u03b7 \u03b4\u03b9\u03b1\u03bc\u03cc\u03c1\u03c6\u03c9\u03c3\u03b7 \u03c4\u03bf\u03c5 \u03c0\u03b5\u03c1\u03b9\u03b2\u03ac\u03bb\u03bb\u03bf\u03bd\u03c4\u03bf\u03c2 \u03b3\u03b9\u03b1 \u03c4\u03bf \u03b4\u03b9\u03ac\u03bb\u03bf\u03b3\u03bf \u03c4\u03ad\u03c7\u03bd\u03b7\u03c2 \u03ba\u03b1\u03b9 \u03c4\u03b5\u03c7\u03bd\u03bf\u03bb\u03bf\u03b3\u03af\u03b1\u03c2 \u03c3\u03c4\u03b7\u03bd \u0395\u03bb\u03bb\u03ac\u03b4\u03b1\u00bb<\/strong>, \u03b2\u03b9\u03b2\u03bb\u03af\u03bf \u00ab\u0397 \u03b5\u03c0\u03bf\u03c7\u03ae \u03c4\u03bf\u03c5 \u0394\u03b9\u03b1\u03c3\u03c4\u03ae\u03bc\u03b1\u03c4\u03bf\u03c2. \u0397\u03bb\u03b5\u03ba\u03c4\u03c1\u03b9\u03ba\u03ae \u03ba\u03b1\u03b9 \u03b7\u03bb\u03b5\u03ba\u03c4\u03c1\u03bf\u03bd\u03b9\u03ba\u03ae \u03c4\u03ad\u03c7\u03bd\u03b7 \u03c3\u03c4\u03b7\u03bd \u0395\u03bb\u03bb\u03ac\u03b4\u03b1 1957-1989\u00bb,\u0395\u03c0\u03b9\u03bc\u03ad\u03bb\u03b5\u03b9\u03b1 \u03ad\u03ba\u03b4\u03bf\u03c3\u03b7\u03c2: \u0398\u03b1\u03bd\u03ac\u03c3\u03b7\u03c2 \u039c\u03bf\u03c5\u03c4\u03c3\u03cc\u03c0\u03bf\u03c5\u03bb\u03bf\u03c2, \u039a\u03c9\u03bd\u03c3\u03c4\u03b1\u03bd\u03c4\u03af\u03bd\u03bf\u03c2 \u0392\u03b1\u03c3\u03b9\u03bb\u03b5\u03af\u03bf\u03c5, \u0395\u03ba\u03b4\u03cc\u03c3\u03b5\u03b9\u03c2 \u0391\u03c3\u03af\u03bd\u03b7, 2016, \u0391\u03b8\u03ae\u03bd\u03b1.<\/li>\n\n\n\n<li>\u039d\u03b5\u03c6\u03ad\u03bb\u03b7 \u0394\u03b7\u03bc\u03b7\u03c4\u03c1\u03b9\u03ac\u03b4\u03b7, \u03a3\u03c4\u03b1\u03c5\u03c1\u03bf\u03cd\u03bb\u03b1 \u0396\u03ce\u03b7, \u03a4\u03b1\u03be\u03b9\u03ac\u03c1\u03c7\u03b7\u03c2 \u0394\u03b9\u03b1\u03bc\u03b1\u03bd\u03c4\u03cc\u03c0\u03bf\u03c5\u03bb\u03bf\u03c2, \u0393\u03b9\u03ac\u03bd\u03bd\u03b7\u03c2 \u039c\u03c0\u03b1\u03c1\u03b4\u03ac\u03ba\u03bf\u03c2, \u039c\u03b1\u03c4\u03b8\u03b1\u03af\u03bf\u03c2 \u03a3\u03b1\u03bd\u03c4\u03bf\u03c1\u03b9\u03bd\u03b1\u03af\u03bf\u03c2, <strong>\u00ab\u0391\u03c0\u03cc \u03c4\u03b9\u03c2 \u03c3\u03cd\u03bd\u03b8\u03b5\u03c4\u03b5\u03c2 \u03c4\u03ad\u03c7\u03bd\u03b5\u03c2 \u03c3\u03c4\u03b1 \u03c5\u03c0\u03b5\u03c1\u03bc\u03ad\u03c3\u03b1 \u03ba\u03b1\u03b9 \u03c4\u03bf\u03c5\u03c2 \u03bd\u03ad\u03bf\u03c5\u03c2 \u03b5\u03b9\u03ba\u03bf\u03bd\u03b9\u03ba\u03bf\u03cd\u03c2-\u03b4\u03c5\u03bd\u03b7\u03c4\u03b9\u03ba\u03bf\u03cd\u03c2 \u03c7\u03ce\u03c1\u03bf\u03c5\u03c2. \u0388\u03bd\u03b1 \u03b5\u03b3\u03c7\u03b5\u03b9\u03c1\u03af\u03b4\u03b9\u03bf \u03b3\u03b9\u03b1 \u03c4\u03bf\u03bd \u03ba\u03b1\u03bb\u03bb\u03b9\u03c4\u03ad\u03c7\u03bd\u03b7 \u03c0\u03bf\u03c5 \u03b1\u03c3\u03c7\u03bf\u03bb\u03b5\u03af\u03c4\u03b1\u03b9 \u03bc\u03b5 \u03c4\u03b7\u03bd \u03c8\u03b7\u03c6\u03b9\u03b1\u03ba\u03ae \u03c4\u03ad\u03c7\u03bd\u03b7\u00bb<\/strong>, \u0395\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03ac \u0391\u03ba\u03b1\u03b4\u03b7\u03bc\u03b1\u03ca\u03ba\u03ac \u0397\u03bb\u03b5\u03ba\u03c4\u03c1\u03bf\u03bd\u03b9\u03ba\u03ac \u03a3\u03c5\u03b3\u03b3\u03c1\u03ac\u03bc\u03bc\u03b1\u03c4\u03b1 \u03ba\u03b1\u03b9 \u0392\u03bf\u03b7\u03b8\u03ae\u03bc\u03b1\u03c4\u03b1, \u0395\u03ba\u03b4\u03cc\u03c3\u03b5\u03b9\u03c2 \u039a\u03ac\u03bb\u03bb\u03b9\u03c0\u03bf\u03c2, \u0391\u03b8\u03ae\u03bd\u03b1, \u0395\u03bb\u03bb\u03ac\u03b4\u03b1, 2015.<\/li>\n\n\n\n<li>Nefeli Dimitriadi, Stavroula Zoi, John Bardakos, Maria Valaora, Arguro Papathanasiou, Manthos Santorineos, \u00ab<strong>Epilogi<\/strong><strong> <\/strong><strong>in<\/strong><strong> <\/strong><strong>crisis<\/strong><strong>. \u03a3\u03c5\u03bd\u03b5\u03c1\u03b3\u03b1\u03c4\u03b9\u03ba\u03cc \u0388\u03c1\u03b3\u03bf \u0395\u03b9\u03ba\u03bf\u03bd\u03b9\u03ba\u03ae\u03c2 \u03a0\u03c1\u03b1\u03b3\u03bc\u03b1\u03c4\u03b9\u03ba\u03cc\u03c4\u03b7\u03c4\u03b1\u03c2\u00bb<\/strong>, \u03a3\u03c5\u03bd\u03ad\u03b4\u03c1\u03b9\u03bf IEEE VR 2015, Arles, \u0393\u03b1\u03bb\u03bb\u03af\u03b1, 2015.<\/li>\n\n\n\n<li>\u039d\u03b5\u03c6\u03ad\u03bb\u03b7 \u0394\u03b7\u03bc\u03b7\u03c4\u03c1\u03b9\u03ac\u03b4\u03b7, <strong>\u00ab\u03a3\u03ce\u03bc\u03b1 \u03ba\u03b1\u03b9 \u03a0\u03c1\u03cc\u03c3\u03c9\u03c0\u03bf \u03c3\u03c4\u03bf\u03c5\u03c2 \u03b5\u03b9\u03ba\u03bf\u03bd\u03b9\u03ba\u03bf\u03cd\u03c2 \u03ba\u03cc\u03c3\u03bc\u03bf\u03c5\u03c2 \u03c4\u03bf\u03c5 \u03b4\u03b9\u03b1\u03b4\u03b9\u03ba\u03c4\u03cd\u03bf\u03c5: \u03b1\u03c0\u03cc \u03c4\u03b1 <\/strong><strong>Cyborg<\/strong><strong> \u03c3\u03c4\u03b1 \u0386\u03b2\u03b1\u03c4\u03b1\u03c1\u00bb<\/strong>, \u0394\u03b9\u03b7\u00b5\u03b5\u03c1\u03af\u03b4\u03b1 <em>\u039c\u03b5\u03c4\u03b1\u03bc\u03bf\u03c1\u03c6\u03ce\u03c3\u03b5\u03b9\u03c2 \u03c4\u03b7\u03c2 \u03a3\u03c9\u03bc\u03b1\u03c4\u03b9\u03ba\u03cc\u03c4\u03b7\u03c4\u03b1\u03c2: \u03a4\u03ad\u03c7\u03bd\u03b7-\u03a3\u03ce\u03bc\u03b1-\u03a4\u03b5\u03c7\u03bd\u03bf\u03bb\u03bf\u03b3\u03af\u03b1<\/em>, 8\u03bf \u03a6\u03b5\u03c3\u03c4\u03b9\u03b2\u03ac\u03bb \u039f\u03c0\u03c4\u03b9\u03ba\u03bf\u03b1\u03ba\u03bf\u03c5\u03c3\u03c4\u03b9\u03ba\u03ce\u03bd \u03a4\u03b5\u03c7\u03bd\u03ce\u03bd, \u03a4\u03bc\u03ae\u03bc\u03b1 \u03a4\u03b5\u03c7\u03bd\u03ce\u03bd \u0389\u03c7\u03bf\u03c5 \u03ba\u03b1\u03b9 \u0395\u03b9\u03ba\u03cc\u03bd\u03b1\u03c2 \u03c4\u03bf\u03c5 \u0399\u03bf\u03bd\u03af\u03bf\u03c5 \u03a0\u03b1\u03bd\u03b5\u03c0\u03b9\u03c3\u03c4\u03b7\u03bc\u03af\u03bf\u03c5, \u0395\u03bb\u03bb\u03ac\u03b4\u03b1, \u0388\u03ba\u03b4\u03bf\u03c3\u03b7 \u03a0\u03c1\u03b1\u03ba\u03c4\u03b9\u03ba\u03ac \u0394\u03b9\u03b7\u00b5\u03b5\u03c1\u03af\u03b4\u03b1\u03c2, \u039a\u03ad\u03c1\u03ba\u03c5\u03c1\u03b1, \u0395\u03bb\u03bb\u03ac\u03b4\u03b1, 2014.<\/li>\n\n\n\n<li>Nefeli Dimitriadi, Stavroula Zoi, John Bardakos, Maria Valaora, Arguro Papathanasiou, Vicky Tselepidou, Manthos Santorineos, <strong>\u00abFrom the monologue of mass media to the dialogue of new media in the information society. The interactive narrative of digital games as a case study of crisis\u00bb<\/strong>, International Conference <em>Digital Storytelling in Times of Crisis<\/em>, \u03a0\u03b1\u03bd\u03b5\u03c0\u03b9\u03c3\u03c4\u03ae\u03bc\u03b9\u03bf \u0391\u03b8\u03b7\u03bd\u03ce\u03bd, \u0395\u03bb\u03bb\u03b7\u03bd\u03bf-\u03b1\u03bc\u03b5\u03c1\u03b9\u03ba\u03b1\u03bd\u03b9\u03ba\u03ae \u0388\u03bd\u03c9\u03c3\u03b7, \u0391\u03b8\u03ae\u03bd\u03b1, \u0395\u03bb\u03bb\u03ac\u03b4\u03b1, 2014.<\/li>\n\n\n\n<li>Nefeli Dimitriadi, Stavroula Zoi, <strong>\u00abThe In-Between virtual neighborhood and the Cellutopia Engine\u00bb<\/strong><em> in The Sixth International Symposium on Computational Aesthetics in Graphics, Visualisation and Imaging<\/em>, The British Computer Society, \u039b\u03bf\u03bd\u03b4\u03af\u03bd\u03bf, \u0391\u03b3\u03b3\u03bb\u03af\u03b1, 2010.<\/li>\n\n\n\n<li>\u039d\u03b5\u03c6\u03ad\u03bb\u03b7 \u0394\u03b7\u03bc\u03b7\u03c4\u03c1\u03b9\u03ac\u03b4\u03b7,<strong> \u00abDe l\u2019Utopie \u00e0 l\u2019e-topie. \u00c9mergence de nouvelles formes de cr\u00e9ation ludo-artistiques et auto-\u00e9volutives en r\u00e9seau\u00bb<\/strong>, \u0394\u03b9\u03b4\u03b1\u03ba\u03c4\u03bf\u03c1\u03b9\u03ba\u03ae \u03b4\u03b9\u03b1\u03c4\u03c1\u03b9\u03b2\u03ae, UFR Esth\u00e9tique Sciences et Technologies de l\u2019Art, Sp\u00e9cialit\u00e9 \u00abArt et Technologies de l\u2019Image\u00bb, Universit\u00e9 Paris 8 Vincennes Saint-Denis, \u03a0\u03b1\u03c1\u03af\u03c3\u03b9, \u0393\u03b1\u03bb\u03bb\u03af\u03b1, 2008 (\u03c3\u03cd\u03bd\u03bf\u03bb\u03bf \u03c3\u03b5\u03bb\u03af\u03b4\u03c9\u03bd 384).<\/li>\n\n\n\n<li>Nefeli Dimitriadi, Georgia Kalogeropoulou, <strong>\u00ab<\/strong><strong>Virtual Cities and new auto-organizational models in the Web<\/strong><strong>\u00bb<\/strong> <em>in<\/em><em>5<sup>th<\/sup> International Conference of Sociology and Social Psychology<\/em>, Soci\u00e9t\u00e9 Hell\u00e9nique de Psychologie Sociale Clinique, \u03a3\u03c0\u03ad\u03c4\u03c3\u03b5\u03c2, \u0395\u03bb\u03bb\u03ac\u03b4\u03b1, 2008.<\/li>\n\n\n\n<li>Nefeli Dimitriadi, Chu-Yin Chen, Voula Zoi, Manthos Santorineos, <strong>\u00ab<\/strong><strong>Towards Defining a Suitable Environment for Teaching Digital Arts \u2013 The Delphous Experiment<\/strong><strong>\u00bb<\/strong>, <em>in ICALT<\/em> <em>the 7th IEEE International Conference on Advanced Learning Technologies, <\/em>Niigata, \u0399\u03b1\u03c0\u03c9\u03bd\u03af\u03b1, 2007.<\/li>\n\n\n\n<li>Nefeli Dimitriadi, Manthos Santorineos, Voula Zoi, Konstantinos Tiligadis <strong>\u00ab<\/strong><strong>The \u201cnon space\u201d as an environment for artistic creation and training<\/strong><strong>\u00bb<\/strong>, <em>in<\/em> <em>INTED 2007 International Conference Proceedings<\/em>, ed. IATED (International Association of Technology, Education and Development), Valencia, \u0399\u03c3\u03c0\u03b1\u03bd\u03af\u03b1, 2007.<\/li>\n\n\n\n<li>\u039d\u03b5\u03c6\u03ad\u03bb\u03b7 \u0394\u03b7\u03bc\u03b7\u03c4\u03c1\u03b9\u03ac\u03b4\u03b7, \u039c\u03ac\u03bd\u03b8\u03bf\u03c2 \u03a3\u03b1\u03bd\u03c4\u03bf\u03c1\u03b9\u03bd\u03b1\u03af\u03bf\u03c2, \u03a3\u03c4\u03b1\u03c5\u03c1\u03bf\u03cd\u03bb\u03b1 \u0396\u03ce\u03b7, <strong>\u00ab\u03a0\u03c1\u03b1\u03b3\u03bc\u03b1\u03c4\u03b9\u03ba\u03cc\u03c2 \u03ba\u03b1\u03b9 \u03b5\u03b9\u03ba\u03bf\u03bd\u03b9\u03ba\u03cc\u03c2 \u03c7\u03ce\u03c1\u03bf\u03c2\u00bb<\/strong>, \u03a0\u03c1\u03b1\u03ba\u03c4\u03b9\u03ba\u03ac <em>easa<\/em><em>007 \u03a0\u03b1\u03bd\u03b5\u03c5\u03c1\u03c9\u03c0\u03b1\u03b9\u03ba\u03bf \u03a3\u03c5\u03bd\u03ad\u03b4\u03c1\u03b9\u03bf \u0391\u03c1\u03c7\u03b9\u03c4\u03b5\u03ba\u03c4\u03bf\u03bd\u03b9\u03ba\u03ce\u03bd \u03a3\u03c7\u03bf\u03bb\u03ce\u03bd \u03bc\u03b5 \u03b8\u03ad\u03bc\u03b1 <\/em><em>city<\/em><em> <\/em><em>index<\/em>, \u0395\u03bb\u03b5\u03c5\u03c3\u03af\u03bd\u03b1, \u0395\u03bb\u03bb\u03ac\u03b4\u03b1, 2007.<\/li>\n\n\n\n<li>\u039d\u03b5\u03c6\u03ad\u03bb\u03b7 \u0394\u03b7\u03bc\u03b7\u03c4\u03c1\u03b9\u03ac\u03b4\u03b7, \u039c\u03ac\u03bd\u03b8\u03bf\u03c2 \u03a3\u03b1\u03bd\u03c4\u03bf\u03c1\u03b9\u03bd\u03b1\u03af\u03bf\u03c2, \u03a3\u03c4\u03b1\u03c5\u03c1\u03bf\u03cd\u03bb\u03b1 \u0396\u03ce\u03b7, \u039a\u03c9\u03bd\u03c3\u03c4\u03b1\u03bd\u03c4\u03af\u03bd\u03bf\u03c2 \u03a4\u03b7\u03bb\u03b9\u03b3\u03ac\u03b4\u03b7\u03c2, <strong>\u00ab\u03a4\u03ad\u03c7\u03bd\u03b7-\u03a4\u03b5\u03c7\u03bd\u03bf\u03bb\u03bf\u03b3\u03af\u03b1: \u039c\u03b1\u03b8\u03ae\u03bc\u03b1\u03c4\u03b1 \u03b3\u03b1 \u03bc\u03b9\u03b1 \u0394\u03b9\u03b5\u03b8\u03bd\u03ae \u0393\u03bb\u03ce\u03c3\u03c3\u03b1\u00bb<\/strong>, 5\u03bf \u0394\u03b9\u03b5\u03c0\u03b9\u03c3\u03c4\u03b7\u03bc\u03bf\u03bd\u03b9\u03ba\u03cc \u0394\u03b9\u03b1\u03c0\u03b1\u03bd\u03b5\u03c0\u03b9\u03c3\u03c4\u03b7\u03bc\u03b9\u03b1\u03ba\u03cc \u03a3\u03c5\u03bd\u03ad\u03b4\u03c1\u03b9\u03bf \u03c4\u03bf\u03c5 \u0395.\u039c.\u03a0, \u03ba\u03b1\u03b9 \u03c4\u03bf\u03c5 \u039c\u0395.\u039a.\u0394.\u0395 \u03c4\u03bf\u03c5 \u0395.\u039c.\u03a0, \u0395\u03b8\u03bd\u03b9\u03ba\u03cc \u039c\u03b5\u03c4\u03c3\u03cc\u03b2\u03b9\u03bf \u03a0\u03bf\u03bb\u03c5\u03c4\u03b5\u03c7\u03bd\u03b5\u03af\u03bf, \u0391\u03b8\u03ae\u03bd\u03b1, \u0395\u03bb\u03bb\u03ac\u03b4\u03b1, 2007.<\/li>\n\n\n\n<li>Nefeli Dimitriadi, Manthos Santorineos<strong>, \u00abEspace virtuel d\u2019exp\u00e9rimentations artistiques &amp; ludiques non verbales\u00bb<\/strong>, <em>in Rencontres sur la R\u00e9alit\u00e9 Virtuelle et les Arts Num\u00e9riques<\/em>, Conference Proceedings, Auditorium du Centre des Arts d\u2019Enghien, D\u00e9pt. ATI de l\u2019Universit\u00e9 Paris 8, Centre des Arts d\u2019Enghien, \u03a0\u03b1\u03c1\u03af\u03c3\u03b9, \u0393\u03b1\u03bb\u03bb\u03af\u03b1, 2007.<\/li>\n\n\n\n<li>Nefeli Dimitriadi, <strong>\u00abInternet Games: from the utopian to the virtual city, the development and evolution of new organizational structures via Artificial Life systems\u00bb<\/strong>, <em>in<\/em> <em>Gaming Realities, A challenge for digital culture, <\/em>Editor Manthos Santorineos, Co-Editor Nefeli Dimitriadi, Mediaterra 2006 Conference Proceedings, \u0391\u03b8\u03ae\u03bd\u03b1, \u0395\u03bb\u03bb\u03ac\u03b4\u03b1, 2006.<\/li>\n\n\n\n<li>Nefeli Dimitriadi, <strong>\u00abA project for a virtual utopia on Internet for the artistic creation\u00bb<\/strong>, <em>in<\/em> <em>Art and Technology for an International Language, bilingual edition<\/em>, Universit\u00e9 Paris 8 Vincennes Saint-Denis, \u03a0\u03b1\u03c1\u03af\u03c3\u03b9, \u0393\u03b1\u03bb\u03bb\u03af\u03b1, 2006.<\/li>\n\n\n\n<li>Nefeli Dimitriadi, <strong>\u00abNet-art and artistic use of data-bases\u00bb, Section \u00abArtificial Life\u00bb<\/strong> <em>in<\/em> <em>Recherches et Cr\u00e9ations Num\u00e9riques Revue No2<\/em>ATI, Universit\u00e9 Paris 8 Vincennes Saint Denis,\u03a0\u03b1\u03c1\u03af\u03c3\u03b9, \u0393\u03b1\u03bb\u03bb\u03af\u03b1, 2005.<\/li>\n\n\n\n<li>Nefeli Dimitriadi, Manthos Santorineos, Gina Panagopoulou, Christos Georgiades, <strong>\u00abNew Technologies in Art: the Rebirth of the &#8220;Art of Memory&#8221;\u201d in <em>Proceedings of the 2<sup>nd<\/sup> Balkan Conference on Informatics<\/em>\u00bb<\/strong><em>,<\/em>Editors Margarita Kon-Popovska, Katarina Zdravkova, Ohrid, \u03a0\u0393\u0394\u039c, 2005.<\/li>\n\n\n\n<li>Nefeli Dimitriadi, <strong>\u00abHypertext-space and virtual utopias\u00bb<\/strong> <em>in<\/em><em>Revue<\/em><em>\u0391\u03a4\u0399<\/em><em> Num\u00e9ro Sp\u00e9cial 20ans<\/em>, Universit\u00e9 Paris 8 Vincennes Saint Denis, \u03a0\u03b1\u03c1\u03af\u03c3\u03b9, \u0393\u03b1\u03bb\u03bb\u03af\u03b1, 2004.<\/li>\n\n\n\n<li>\u039d\u03b5\u03c6\u03ad\u03bb\u03b7 \u0394\u03b7\u03bc\u03b7\u03c4\u03c1\u03b9\u03ac\u03b4\u03b7, <strong>\u00ab&nbsp;<em>Non-site<\/em> et art num\u00e9rique: une red\u00e9finition <em>smithsonienne<\/em> des cartes virtuelles&nbsp;\u00bb<\/strong>, \u0394\u03b9\u03c0\u03bb\u03c9\u03bc\u03b1\u03c4\u03b9\u03ba\u03ae \u03b5\u03c1\u03b3\u03b1\u03c3\u03af\u03b1 \u03bc\u03b5\u03c4\u03b1\u03c0\u03c4\u03c5\u03c7\u03b9\u03b1\u03ba\u03bf\u03cd, UFR Esth\u00e9tique Sciences et Technologies de l\u2019Art, DEA \u00abArt Images et Art Contemporain\u00bb, Universit\u00e9 Paris 8 Vincennes Saint Denis, \u03a0\u03b1\u03c1\u03af\u03c3\u03b9, \u0393\u03b1\u03bb\u03bb\u03af\u03b1, 2004 (\u03c3\u03cd\u03bd\u03bf\u03bb\u03bf \u03c3\u03b5\u03bb\u03af\u03b4\u03c9\u03bd 124).<\/li>\n\n\n\n<li>Nefeli Dimitriadi, <strong>\u00abInternet and the new virtual geography&nbsp;\u00bb<\/strong>,On line magazine Virtual Centre Media Net, \u03a4\u03b5\u03cd\u03c7\u03bf\u03c2 2\u03bf, 2002.<\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1114","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.nefelidimitriadi.com\/index.php?rest_route=\/wp\/v2\/pages\/1114","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nefelidimitriadi.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.nefelidimitriadi.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.nefelidimitriadi.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nefelidimitriadi.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1114"}],"version-history":[{"count":9,"href":"https:\/\/www.nefelidimitriadi.com\/index.php?rest_route=\/wp\/v2\/pages\/1114\/revisions"}],"predecessor-version":[{"id":1351,"href":"https:\/\/www.nefelidimitriadi.com\/index.php?rest_route=\/wp\/v2\/pages\/1114\/revisions\/1351"}],"wp:attachment":[{"href":"https:\/\/www.nefelidimitriadi.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1114"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}